Dr WU, Tsz Wing Giovanna

Scholarly Books, Monographs and Chapters

• Wu, Tsz Wing Giovanna (2018). “The Endangered Genre: Re-considering the Significance of the Eight-legged Essay in the History of Chinese Literature.” In Current Issues in Contemporary Chinese and Oriental Studies, vol. 1, eds. Alex Alexiev et al. (293-312), Sofia: Sofia University Press.
• 胡梓穎（2017）：〈《牡丹亭》與八股文──從王季重評點本論湯顯祖的士人品位〉，撫州湯顯祖國際研究中心編：《湯學聚珍：2016年中國‧撫州湯顯祖劇作展演暨國際高峰學術論壇論文選集》，243-256，上海：上海古籍出版社。
• 胡梓穎（2012）： 〈晚明滑稽仿作新視野──王思任《弈律》初探〉，Proceedings of the 7th Annual Conference of the Asian Studies Association, ed. Selina Ching Chan. (1251-1263), Hong Kong: Hong Kong Shue Yan University Contemporary China Research Center.
• 胡梓穎（2009）：〈何須扇底看桃花──《桃花扇》之解讀與孔尚任罷官原由新探〉，收入周建渝、張洪年、張雙慶編：《重讀經典：中國傳統小說與戲曲的多重透視》，939-978，Hong Kong: Oxford University Press。

Journal Publications

Publication in refereed journal

• 胡梓穎（2024）：〈有情以終滅為驗──湯顯祖制藝中的時間意識與《紫簫記》中的生命哲學〉，《人文中國學報》，第38期，頁93-133。﹝即將出版﹞
• 胡梓穎（2024）：〈制藝的結尾：湯顯祖萬曆癸未會試制藝考論〉，《清華學報》，新54卷第2期，頁307-346。
• 胡梓穎（2021）：〈能於筆墨之外言所欲言者──湯顯祖嘉隆時期應試制藝研究〉，《湯顯祖學刊》，第八、九輯合刊，頁104-129。
• 胡梓穎（2020）：〈能於筆墨之外言所欲言者──湯顯祖嘉隆時期應試制藝研究〉，《湯顯祖研究》，第1期（總第32期），頁36-51。【中國戲曲學會湯顯祖研究分會內部預刊】
• 胡梓穎、黃自鴻（2017）：〈被建構的文類──從「辨體」角度論傳記與「傳奇文」〉，《臺大文史哲學報》，第86期，頁87-126。
• 黃自鴻、胡梓穎（2016）：〈傳記與辨體觀──內部衝突的分類過程〉，《漢學研究》，第34卷第1期，頁95-122。

Conference Papers

• 胡梓穎（2024, 10）：〈從《療妒羹》到《補春天》──論十七世紀以來東亞劇壇上馮小青形象的嬗變〉，首屆粵港澳大灣區俗文學研討會暨青年學術論壇，廣州大學，廣州，中國。
• 胡梓穎（2024, 8）：〈「藏雅」的藝術──湯顯祖制藝與傳奇定場白之關係初探〉，第七届「戲曲與俗文學」國際學術研討會，中山大學，廣州，中國。
• Wu, Tsz Wing Giovanna (2024, 6). “From Shuihu Houzhuan to Zhongyi Xuantu: On the Historical Reappearance of “Jingkang Incident” in the Qing Court Drama of the Qianlong Period”. Paper presented at Faculty Conference - Hong Kong Convergence: (Re)connection: Communication, and Contact, Faculty of Arts, The University of Hong Kong, Hong Kong, China.
• Wu, Tsz Wing Giovanna (2023, 12). “Tang Xianzu’s Formulated Exegesis and the Arrangement of Parallel Characters in his World of Chuanqi Drama”. Paper presented at the Chinese Studies Association of Australia (CSAA) 18th Biennial Conference: Studying Things Chinese: Challenges and Opportunities, University of Sydney, Sydney, Australia.
• 胡梓穎（2023, 8）：〈湯顯祖制藝及「臨川四夢」中的複調式人物安排〉，第六届「戲曲與俗文學」國際學術研討會，中山大學，廣州，中國。
• Wu, Tsz Wing Giovanna (2023, 3). “Portraits of the Loyal Officials in the Zhongyi Xuantu: The Reconstruction of the Relationship between Manchu Monarch and Han Officials during the Qianlong Period”. Paper presented at 2023 CHINOPERL Conference, Boston, The United States of America.
• Wu, Tsz Wing Giovanna (2022, 8). “Inner Sage and Outer King: The Portraits of Kings and Emperors in Tang Xianzu’s Eight-Legged Essay”. Paper presented at 2022 European Association for Chinese Studies (EACS) Biennial Conference, Palacký University Olomouc, Czech Republic.
• Wu, Tsz Wing Giovanna (2021, 11). “Flowery Words Picking from the Six Dynasties: The Lyricism of Tang Xianzu’s Eight-legged Essays”. Paper presented at Chinese Studies Association of Australia (CSAA) 17th Biennial Conference: Changing China: Then and Now, Australian National University, Canberra, Australia.
• Wu, Tsz Wing Giovanna (2021, 8) "Ending with the Disillusionment of Love: The Philosophy of Life in Tang Xianzu’s Eight-legged Essay and the Virtual Lives in The Legend of Purple Flute.” Paper presented at 2021 European Association for Chinese Studies (EACS) Biennial Conference, Leipzig University, Leipzig, Germany. 

• Wu, Tsz Wing Giovanna (2019, 7). Tang Xianzu and His Eight-legged Essay: a Re-account on the Great Dramatist of the Late Ming China”. Paper presented at Chinese Studies Association of Australia (CSAA) 16th Biennial Conference: Engaging Chinese Scholarship: New Directions, New Challenges, La Trobe University, Melbourne, Australia.
• Wu, Tsz Wing Giovanna (2018, 8). “Hidden Voices Behind the Image of Lady Feng: ‘Peony Fever’ and East Asian Theatres of the Seventeenth Through Nineteenth Centuries”. Paper presented at the 2018 European Association for Chinese Studies (EACS) Biennial Conference, University of Glasgow, Glasgow, The United Kingdom.
• Wu, Tsz Wing Giovanna (2017, 7). "The "Notorious” Eight-legged Essay: And Its Significance for Rewriting the History of Classical Chinese Literature”. Paper presented at Chinese Studies Association of Australia (CSAA) 15th Biennial Conference: Chinese Values and Counter-Values: Past and Present, Macquarie University, Sydney, Australia.
• 胡梓穎（2016, 6）：〈從《雪曇夢》到《魯男子》──論曾樸的自我觀照與清末民初文學轉型〉，清末民初文學文化轉折國際學術研討會，香港公開大學，香港，中國。
• Wu, Tsz Wing Giovanna (2016, 4). ‘Alternative Modernities of Kunqu Opera: The Spread of the Peony Pavilion and Dialogue between Culture and Art of China and Other Regions’ 崑劇的另類現代性──《牡丹亭》之流播與中外文化藝術對話. Paper presented at the 11th Annual Conference of the Asian Studies Association, Kobe University, Kobe, Japan.